Dirty, that's the best way to describe the guitar sound opening the new Black Rebel Motorcycle Club record, Baby 81. It reminds me of the John Squire riff that opens The Stone Roses' Love Spreads. It's a sound that we haven't heard from BRMC for a while. Their last album, Howl, had a much more low key, alt-country feel than their first two records. I loved Howl, it was my album of the year for 2005, I bought copies for friends and everything, but I missed those dirty guitars and awesome rolling, rumbling bass lines. Well they're back and were in full effect at their Sunday night show at The Showbox in Seattle.
They played most of the new record and the new songs came over strong, better than on the record in many cases, especially "666 Conducer" which I thought was just brilliant live. They played just a few songs off the first two records including "Whatever Happened to my Rock and Roll (Punk Song)" which was as great as ever. Throughout the set they switched instruments a fair bit with Robert playing bass, guitar and piano and Peter playing guitar, bass and trombone - very cool.
After the end of the main set, they reappeared for an encore without Nick. I think they said he was suffering from allergies or something. It was definitely unplanned. Anyway, whatever the cause, the result was great. First Robert played "Mercy" (in the dark) and then Peter came out and played "Fault Line" from Howl. Then we had a great version of "Promise" before an all acoustic version of "Ain't No Easy Way" with Robert playing guitar standing behind the drum kit, pounding the bass drum with his foot - very cool. Then, a real surprise, Robert played Dylan's "Lonesome Death of Hattie Carol" - an excellent version too.
The impromptu acoustic encore reinforced the point that while BRMC make the most beautiful dirty garage rock, they still sound great when stripped down to the bone. Go and see them if you get the chance.